Side by Side

The West Wind by Tom Thomson, 1916-17, Art Gallery of Ontario, Toronto, Canada

The National Gallery of Canada in Ottawa, Ontario is hosting a study of two iconic Canadian artworks  by artist Tom Thomson through January 4, 2015. Tom Thomson's The Jack Pine and his The West Wind are examined side-by-side. I first came to know of Thomson after marrying my Canadian husband and visiting his relatives in Toronto when we went to the AGO (Art Gallery of Ontario) and I was introduced to the Group of Seven. They were a loosely tied group of landscape artists all choosing to focus on their surroundings as subject matter and thereby created the first major Canadian art movement.

The Jack Pine by Tom Thomson, 1916-17, The National Gallery of Canada, Ottawa, Ontario

Happy Father's Day

Portrait if

Alexander J. Cassatt

and his son, Robert Kelso Cassatt

by

Mary Cassatt

,1884-85,

The Philadelphia Museum of Art

Mary Cassatt

, the Impressionist artist, is well known for using her family as models in her artwork (men and boys are seen less often) as she spent a lot of her time around the women of the family. In this portrait we see

Cassatt's

father and her brother sharing an intimate moment. Her father was a railroad man and probably not around the house as often, or willing to sit still for very long (pure conjecture on my part). Happy Father's Day - perhaps you can capture an image of your father today?

The Armory Show - Then and Now

 Gallery A in the 1913 International Exhibition of Modern Art (nicknamed "Armory" Show)

The International Exhibition of Modern Art (The Armory Show) of 1913 was a pivotal time in the world of art. It marked the first time that art considered to be the "modern" style was brought together and exhibited in one space. It took over a year of planning and received much public scorn from people unaccustomed and uninterested the burgeoning styles displayed like Cubism, Fauvism and Futurism.

 Currently, there is an exhibition of the same name taking place in New York at the Piers which highlights art of the 20th and 21st centuries and is primarily a venue to buy and sell. However, if you have the opportunity, it is also a chance to see works by famous and unknown artists in the same locations.


2014 Armory Show in New York through March 9, 2014

Supreme Painting


Suprematist Composition, 1916 by Kazimir Malevich

During the closing ceremonies of the Olympics in Sochi last night, reference was made to Ukrainian artist Kazimir Malevich, but not much else was said about him. He is one of the most important artists of the 20th century, less famous than Picasso, but no less important. This is considered to be one of the most important pieces of 20th century art and in his treatise of 1916 Malevich explained that he wanted to concentrate on color and texture and to move beyond traditional representation.

Artist Carrie Mae Weems on 30 Years of Genius - EBONY

 "Art has saved my life on a regular basis. I wanted to offer that experience to children, to enlist them, to show them the possibilities that are in the arts, to persuade them to pursue it for both their own personal salvation and for changing the way we are understood." Carrie Mae Weems

A Gold Star for Cleveland

A large detail of Louis Grebenak's WBOE mural, which awaits installation at ideastream in downtown Cleveland.
 
There is an article in the Cleveland Plain Dealer today about a series of WPA murals that were saved from destruction by an art history teacher from Cleveland State University named Walter Leedy, who unfortunately did not live to see the results of his efforts. Much of the thanks goes as well to the ICA Art Conservation of Cleveland and to the Cuyahoga Metropolitan Housing Authority (CMHA). The artwork has been displayed around Cleveland, including on the campus at Cleveland State who leased two of the murals.

In Defense of Art History

Art Connoisseur by Norman Rockwell, 1962.

I do not normally use this blog to editorialize, but I was listening to the radio yesterday and they played a sound bite from a speech President Obama was making in Wisconsin in defense of vocational training and I will say I agree with what he was saying, that there is no shame and often wage benefits, to being trained in a trade however, he chose the perpetually easy target of art history as an example of a college pursuit gone wrong (as Click and Clack humorously and routinely point out on Car Talk).
 
Here is the quote according to the Washington Post:
    
      "A lot of young people no longer see the trades and skilled manufacturing as a viable career, but I promise you, folks can make a lot more potentially with skilled manufacturing or the trades than they might with an art history degree." According to the Washington Post, President Obama then chuckled and attempted to put out the fire he had accidentally started by saying "Nothing wrong with art history degree, I love art history. I don’t want to get a bunch of emails from everybody. I’m just saying, you can make a really good living and have a great career without getting a four-year college education, as long as you get the skills and training that you need."
 
I thought oh great, one more insult to add to the pile, way to grab for the low hanging fruit Mr. President, but it points out a larger and and growing disdain in our society for the libral arts/ humanities in education. With all the promotion of the STEM degrees the traditional libral arts have taken a real hit in the last ten years or so. What used to be considered a fine, well-rounded background for almost any pursuit, has become the butt of jokes and is pointed to as an education squandered.

From my perspective, without the studies of the humanities our lives are less rich, they lack an understanding of past and richness that only an appreciation of the arts can bring. People may argue that you can pursue these avenues of enrichment on your own, outside of how you earn your money, but without teachers in these areas, your pursuit will only take you so far. Without someone to explain Abstract Expressionism to you, you might likely dismiss it as so many "globs of paint" and miss the importance of the freedom the movement represented and how by throwing the canvas on the ground and tossing the paint onto it, Jackson Pollock took art to a place without boundaries and represented the potential of a nation emerging from the dust of a hard-fought world war, as the new global super power. Art, music, literature, poetry are the mirror that reflects our world back to us, they capture and see things that may not be clear at the time, but upon further study enrich our understanding of ourselves and our world. 

When I pursued my studies in the areas of literature and art, I knew I was not choosing a path to wealth or fame, but I expected to work in a museum or teach for a wage that would allow me to live modestly, but comfortably and reap my rewards though proximity to beautiful art, or through introducing students to the world of art. As I struggle to find a job (while the adjunct teaching opportunities dry-up and pay far less than a living wage [a rant for another place and time]) I get what Obama is saying, but I am sad for what we lose as a society when we devalue the humanities and look down on those who see its value as more than a guaranteed income bracket.

Feminist Art or Just Art?

 The Dinner Party

by

Judy Chicago

, 1974-79, 

Brooklyn Museum 

There are two exhibitions at the National Museum for Women in the Arts in Washington DC right now that were organized by the Brooklyn Museum. They are a show featuring the work of artist Judy Chicago, often label as a Feminist, but naturally as labels go, she is that and so much more. The exhibition entitled

Judy Chicago Circa '75

runs now through April 13th.

 Detail from

The Dinner Party

by Judy Chicago

 The second exhibition also organized by the Brooklyn Museum is an show called

"Workt by Hand": Hidden Labor and Historical Quilts

.

This exhibition examines quilts, which are historically considered craft and women's handicrafts rather than outlets for creative expression. This show focuses on the limited outlets for creativity for women for hundreds of years and looks at these as a reflection of the artists, as well as utilitarian objects. The exhibition runs through April 27th.

“Workt by Hand”: Hidden Labor and Historical Quilts - See more at: http://www.nmwa.org/exhibitions/%E2%80%9Cworkt-hand%E2%80%9D#sthash.ahnYRAz5.dpuf

“Workt by Hand”: Hidden Labor and Historical Quilts - See more at: http://www.nmwa.org/exhibitions/%E2%80%9Cworkt-hand%E2%80%9D#sthash.ahnYRAz5.dpuf

Elizabeth Welsh of Virginia, Medallion Quilt, ca. 1830; Brooklyn Museum - See more at: http://www.nmwa.org/exhibitions/%E2%80%9Cworkt-hand%E2%80%9D#sthash.ahnYRAz5.dpuf

 Elizabeth Welsh of Virginia, Medallion Quilt, c. 1830, Brooklyn Museum

Elizabeth Welsh of Virginia, Medallion Quilt, ca. 1830; Brooklyn Museum - See more at: http://www.nmwa.org/exhibitions/%E2%80%9Cworkt-hand%E2%80%9D#sthash.ahnYRAz5.dpuf

Inspired by Tradition

 Lightning Snake by Preston Singletary, Traver Gallery

Preston Singletary is an artist who works primarily in glass and draws influence from his native Tlingit background. His work shows influence of native symbols and animals combined with the art glass techniques which flourish among the glass artists of Washington state.


Whale Rider by Preston Singletary and Louis Gardiner


Preston Singletary talks about bringing his native Tlingit culture to his art.


Bought A Book


I have been wanting this book since it came out in 2007 and I just got it this year with a gift certificate. It is beautiful and full of a lot of interesting facts about rings and their meaning throughout history. Plus the pictures! Just what a ring lover, like myself likes to thumb through and admire.


The Fountainheads

Ai Weiwei, Circle of Zodiac Heads

Currently on display at The Cleveland Museum of Art are Chinese artist Ai Aweiwei's bronze representations of the animals of the Chinese Zodiac. They have been traveling around the world, we saw a glimpse of them in Toronto during the summer and are now installed in the interior court at CMA through January 26, 2014. They are reproductions of the fountain heads from the now destroyed Yuanming Yuan Imperial retreat which were pillaged after the palace was attacked by French and British troops in the 18th century. Ai Weiwei intention is to draw attention to the looting and repatriation of art around the world.

Drawing History

 Divine Law by Violet Oakley, The Pennsylvania Capital Murals, Harrisburg, 1906.

 Violet Oakley was the first woman to receive a major mural commission in the United States when she received the commission for the murals at the Pennsylvania State Capital in 1902.  She studied at the Art Students League and with the great illustrator Howard Pyle. She began her career as an illustrator which served her well in the stories she told with her narrative murals.


Portrait of Violet Oakley by Edith Emerson, Woodmere Art Museum, Philadelphia.

Standing Guard


 The large figures on the Hope Memorial Bridge in Cleveland (also known as the Lorain-Carnegie Bridge) were created by sculptor Henry Hering in 1932 and executed by many stone carvers who found much work in Cleveland in the early 20th century. The architects of the bridge were the firm of Walker and Weeks. Hering was primarily a Beaux-Arts style sculptor, having been a student of the famous Augustus Saint-Gaudens, and the architect Frank Walker is credited with the over-all art deco design of the figures. In the 1970's they were almost taken down and the county engineer at that time thought they were hideous, but thank goodness they saved and remain an important part of the city landscape. The bridge was renamed the Hope Memorial Bridge in 1980 after the entertainer Bob Hope donated money for its restoration because his father had worked on it.


Hope Memorial Bridge: Guardians of Traffic holding truck - CSU Digital Humanities

Richness of Color

 Universe by Olga Suvorova

Another of the artists I have found on Pinterest series. Olga Suvorova (b. 1966) is a Russian artist whose beautifully detailed paintings call to mind the rich color and workmanship of the great Northern Renaissance artist Jan van Eyck and the Henry VIII court painter Hans Holbein. Suvorova's detail and imagination, combined with her use of color, create truly breath-taking paintings. 


The Theatre by Olga Suvorova