• A Gold Star for Cleveland

    A large detail of Louis Grebenak’s WBOE mural, which awaits installation at ideastream in downtown Cleveland.
     
    There is an article in the Cleveland Plain Dealer today about a series of WPA murals that were saved from destruction by an art history teacher from Cleveland State University named Walter Leedy, who unfortunately did not live to see the results of his efforts. Much of the thanks goes as well to the ICA Art Conservation of Cleveland and to the Cuyahoga Metropolitan Housing Authority (CMHA). The artwork has been displayed around Cleveland, including on the campus at Cleveland State who leased two of the murals.
  • In Defense of Art History

    Art Connoisseur by Norman Rockwell, 1962.
    I do not normally use this blog to editorialize, but I was listening to the radio yesterday and they played a sound bite from a speech President Obama was making in Wisconsin in defense of vocational training and I will say I agree with what he was saying, that there is no shame and often wage benefits, to being trained in a trade however, he chose the perpetually easy target of art history as an example of a college pursuit gone wrong (as Click and Clack humorously and routinely point out on Car Talk).
     
    Here is the quote according to the Washington Post:
        
          “A lot of young people no longer see the trades and skilled
    manufacturing as a viable career, but I promise you, folks can make a
    lot more potentially with skilled manufacturing or the trades than they
    might with an art history degree.” According to the Washington Post, President Obama then chuckled and attempted to put out the fire he had accidentally started by saying “Nothing wrong with art history degree, I love art history. I
    don’t want to get a bunch of emails from everybody. I’m just saying,
    you can make a really good living and have a great career without
    getting a four-year college education, as long as you get the skills and
    training that you need.”
     
    I thought oh great, one more insult to add to the pile, way to grab for the low hanging fruit Mr. President, but it points out a larger and and growing disdain in our society for the libral arts/ humanities in education. With all the promotion of the STEM degrees the traditional libral arts have taken a real hit in the last ten years or so. What used to be considered a fine, well-rounded background for almost any pursuit, has become the butt of jokes and is pointed to as an education squandered.

    From my perspective, without the studies of the humanities our lives are less rich, they lack an understanding of past and richness that only an appreciation of the arts can bring. People may argue that you can pursue these avenues of enrichment on your own, outside of how you earn your money, but without teachers in these areas, your pursuit will only take you so far. Without someone to explain Abstract Expressionism to you, you might likely dismiss it as so many “globs of paint” and miss the importance of the freedom the movement represented and how by throwing the canvas on the ground and tossing the paint onto it, Jackson Pollock took art to a place without boundaries and represented the potential of a nation emerging from the dust of a hard-fought world war, as the new global super power. Art, music, literature, poetry are the mirror that reflects our world back to us, they capture and see things that may not be clear at the time, but upon further study enrich our understanding of ourselves and our world. 

    When I pursued my studies in the areas of literature and art, I knew I was not choosing a path to wealth or fame, but I expected to work in a museum or teach for a wage that would allow me to live modestly, but comfortably and reap my rewards though proximity to beautiful art, or through introducing students to the world of art. As I struggle to find a job (while the adjunct teaching opportunities dry-up and pay far less than a living wage [a rant for another place and time]) I get what Obama is saying, but I am sad for what we lose as a society when we devalue the humanities and look down on those who see its value as more than a guaranteed income bracket.
  • More Than Meets the Eye

    How to Look art Art by Grant Snider
    Grant’s blog is called Incidental Comics
  • Feminist Art or Just Art?

     The Dinner Party

    by

    Judy Chicago

    , 1974-79, 

    Brooklyn Museum 

    There are two exhibitions at the National Museum for Women in the Arts in Washington DC right now that were organized by the Brooklyn Museum. They are a show featuring the work of artist Judy Chicago, often label as a Feminist, but naturally as labels go, she is that and so much more. The exhibition entitled

    Judy Chicago Circa ’75

    runs now through April 13th.

     Detail from

    The Dinner Party

    by Judy Chicago

     The second exhibition also organized by the Brooklyn Museum is an show called

    “Workt by Hand”: Hidden Labor and Historical Quilts

    .

    This exhibition examines quilts, which are historically considered craft and women’s handicrafts rather than outlets for creative expression. This show focuses on the limited outlets for creativity for women for hundreds of years and looks at these as a reflection of the artists, as well as utilitarian objects. The exhibition runs through April 27th.

    “Workt by Hand”: Hidden Labor and Historical Quilts – See more at: http://www.nmwa.org/exhibitions/%E2%80%9Cworkt-hand%E2%80%9D#sthash.ahnYRAz5.dpuf

    “Workt by Hand”: Hidden Labor and Historical Quilts – See more at: http://www.nmwa.org/exhibitions/%E2%80%9Cworkt-hand%E2%80%9D#sthash.ahnYRAz5.dpuf

    Elizabeth Welsh of Virginia, Medallion Quilt, ca. 1830; Brooklyn Museum – See more at: http://www.nmwa.org/exhibitions/%E2%80%9Cworkt-hand%E2%80%9D#sthash.ahnYRAz5.dpuf

     Elizabeth Welsh of Virginia, Medallion Quilt, c. 1830, Brooklyn Museum

    Elizabeth Welsh of Virginia, Medallion Quilt, ca. 1830; Brooklyn Museum – See more at: http://www.nmwa.org/exhibitions/%E2%80%9Cworkt-hand%E2%80%9D#sthash.ahnYRAz5.dpuf

  • Circling the Wagons Around the Art

    There is an article in the New York Times about foundations pooling resources to cover the portion of the pension bailout that Orr was looking at some of the DIA’s art to cover.

  • Inspired by Tradition

     Lightning Snake by Preston Singletary, Traver Gallery
    Preston Singletary is an artist who works primarily in glass and draws influence from his native Tlingit background. His work shows influence of native symbols and animals combined with the art glass techniques which flourish among the glass artists of Washington state.
    Whale Rider by Preston Singletary and Louis Gardiner
    Preston Singletary talks about bringing his native Tlingit culture to his art.
  • Bought A Book

    I have been wanting this book since it came out in 2007 and I just got it this year with a gift certificate. It is beautiful and full of a lot of interesting facts about rings and their meaning throughout history. Plus the pictures! Just what a ring lover, like myself likes to thumb through and admire.
  • The Fountainheads

    Ai Weiwei, Circle of Zodiac Heads
    Currently on display at The Cleveland Museum of Art are Chinese artist Ai Aweiwei’s bronze representations of the animals of the Chinese Zodiac. They have been traveling around the world, we saw a glimpse of them in Toronto during the summer and are now installed in the interior court at CMA through January 26, 2014. They are reproductions of the fountain heads from the now destroyed Yuanming Yuan Imperial retreat which were pillaged after the palace was attacked by French and British troops in the 18th century. Ai Weiwei intention is to draw attention to the looting and repatriation of art around the world.
  • Drawing History

     Divine Law by Violet Oakley, The Pennsylvania Capital Murals, Harrisburg, 1906.

     Violet Oakley was the first woman to receive a major mural commission in the United States when she received the commission for the murals at the Pennsylvania State Capital in 1902.  She studied at the Art Students League and with the great illustrator Howard Pyle. She began her career as an illustrator which served her well in the stories she told with her narrative murals.

    Portrait of Violet Oakley by Edith Emerson, Woodmere Art Museum, Philadelphia.