Garden Study of the Vickers Children by John Singer Sargent, Flint Institute of Arts.
This study is very similar in subject and lay-out to the finished painting entitled Carnation, Lily, Lily, Rose which was painted the following year.
The Subject of Women
Two Girls Fishing, 1912 by John Singer Sargent.
Sargent frequently choses women as subjects and although he painted many on commission, he also painted them when the work he was doing was for himself. He seems to empower them through the beauty with which he portrays them.
Family Portraits
Portraits of Edouard and Marie-Louise Pailleron by John Singer Sargent.
Sargent was one of the primer portrait painters of the 19th century. His work brought out the very best in his sitters and therefore made him very popular. These children’s father is Edouard Pailleron, a famous 19th century French playwright and his wife.
A Painting of Painting
Paul Helleu Sketching with his Wife, 1889 by John Singer Sargent, The Brooklyn Museum, New York.
Rather than the more formal portraits for which he is better known, in this piece we see a portrait by Sargent, but in a casual setting.
He Never Fails to Amaze
Portrait of Lady Helen Vincent, Viscountess of d'Abernon by John Singer Sargent, 1904, The Birmingham Museum of Art, AL
Another beautiful portrait by Sargent.
Rest
Nonchaloir ,1911 by John Singer Sargent, National Gallery of Art, Washington D.C.
After 1907 Sargent grew tired of painting so many society portraits for money. he chose to concentrate instead on outdoor scenes and more casual poses like this one of his niece.
Dis me.
Blue and White Vases
The Daughters of Edward Darley Boit, 1882 by John Singer Sargent, MFA Boston.
Sargent's portraits of children are among his most expressive. It must have been nice for him to work with subjects who would have probably been less vain than the adults (although I am sure a few of them were looking over his shoulder).
Dance Lesson
Dorothea and Francesca, 1898 by Cecelia Beaux
From Philadelphia, Beaux was a society painter in there and in New York. Her style was similar to the work of the most famous of the portraitists of the era, John Singer Sargent.